Separation Smackdown

2020 · 7:33 · written by Anna Coughlan & William R. Coughlan · produced by Lee Perna · directed by William R. Coughlan

In the era of social distancing, everyone has had to adjust. But in the world of professional (or semi-professional) wrestling — where in-the-ring competition necessarily requires close physical contact — the challenges presented are particularly troublesome. But a shift in emphasis toward other entertainment aspects may be just what the sport needs to survive.

Tohubohu Productions entered the Washington, DC, 48 Hour Film Project in 2020 with “Separation Smackdown.” A bit of an experiment, the film was produced using several physically separated production crews, with cast filmed in isolation or in shared-home groupings, in order to observe safety precautions in the midst of the COVID-19 pandemic. Scripted by “Tex: Wisdom of the Old West” writing duo Anna Coughlan and William R. Coughlan, and produced by “Bombshell” and “The Golden Cage of Television” producer Lee Perna, the film was created entirely over the weekend of July 31st through August 2nd, 2020, and premiered online on Wednesday, August 12th.

TOHUBOHU PRODUCTIONS presents  a 48 HOUR FILM PROJECT  “SEPARATION SMACKDOWN”  starring NICK DePINTO  EDWARD DANIELS  ERIN ROSE COUGHLAN  ANNA COUGHLAN  BRIAN MAC IAN  MARY WHITTINGTON  and WILLIAM R. COUGHLAN  edited by WILLIAM R. COUGHLAN  music by BRIAN WILBUR GRUNDSTROM  featuring “BITTERSWEET” and “KILLER B.” by MONA SPEAKS MOUNTAINS and “FREE WILL GORILLA” by BRIAN MAC IAN  executive producers WILLIAM R. COUGHLAN  LEE PERNA  written by ANNA COUGHLAN & WILLIAM R. COUGHLAN  produced by LEE PERNA  directed by WILLIAM R. COUGHLAN
48 Hour Film Project IMDb The Movie Database Letterboxd

Separation Smackdown — Full Movie

Separation Smackdown — Original Trailer

Separation Smackdown — Behind the Scenes

Separation Smackdown — Deleted Scene

This film was a challenge, to be sure, filmed during the height of the COVID-19 pandemic in the summer of 2020. As this was before vaccines were available, meticulous COVID safety protocols were in effect. In fact, in order to keep contact to an absolute minimum, we assembled five different shooting groups — effectively a collection of second-unit production teams — thanks to the tireless logistical wrangling of producer extraordinaire Lee Perna. Actors were organized into “pods,” keeping cast and crew almost entirely separated throughout the production. I drew detailed storyboards for the various production teams, making careful note of shot compositions and camera movements, as well as providing direction for the actors — many of whom were playing characters inspired in part by real-world wrestling performers, or at least their archetypes. The film addresses the impact of COVID restrictions straight on, only slightly exaggerating the over-the-top approach of the wrestling world — and even acknowledging, to a degree, the fact that the real-world WWE’s Performance Center, its base of operations during this stage of the pandemic, is located in Florida, whose governor had a... less-than-medically sound approach to COVID safety, to put it charitably.
— William R. Coughlan
TIVA DC Peer Awards 48 Hour Film Project